MARC details
000 -LEADER |
fixed length control field |
06142pam a2200409 i 4500 |
001 - CONTROL NUMBER |
control field |
38563 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
0000000000 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20240411192901.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
180828s2019 enk s 000 0 eng|d |
015 ## - NATIONAL BIBLIOGRAPHY NUMBER |
National bibliography number |
GBB8H5325 |
Source |
bnb |
016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER |
Record control number |
019061920 |
Source |
Uk |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780198825234 |
Terms of availability |
paperback |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780199670000 |
Qualifying information |
hardback |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(Uk)019061920 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
StDuBDS |
Language of cataloging |
eng |
Transcribing agency |
StDuBDS |
Modifying agency |
Uk |
Description conventions |
rda |
042 ## - AUTHENTICATION CODE |
Authentication code |
ukblcatcopy |
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
153.35 |
Edition number |
23 |
245 00 - TITLE STATEMENT |
Title |
Art, aesthetics, and the brain / |
Statement of responsibility, etc. |
edited by Joseph P. Huston, Marcos Nadal, Francisco Mora, Luigi F. Agnati, Camilo J. Cela-Conde. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
Oxford : |
Name of producer, publisher, distributor, manufacturer |
Oxford University Press, |
Date of production, publication, distribution, manufacture, or copyright notice |
2019. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
xxii, 545 pages : |
Other physical details |
illustrations (some colour). |
336 ## - CONTENT TYPE |
Content type term |
text |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
computer |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
online resource |
Source |
rdacarrier |
500 ## - GENERAL NOTE |
General note |
Formerly CIP. |
Institution to which field applies |
Uk |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references and index. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Section 1: Foundational issues -- Neuroculture : a new cultural revolution? / Francisco Mora -- Art, meaning, and aesthetics : the case for a cognitive neuroscience of art / William P. Seeley -- States, people, and contexts : three psychological challenges for the neuroscience of aesthetics / Kirill Fayn, Paul J. Silvia -- Aesthetic appreciation : convergence from experimental aesthetics and physiology / Helmut Leder, Gernot Gerger, David Brieber -- The moving eye of the beholder : eye tracking and the perception of paintings / Raphael Rosenberg, Christoph Klein -- Section 2: Cogtnitive neuroscience of visual aesthetics and art -- Neural mechanisms for evaluating the attractiveness of faces / Spas Getov, Joel S. Winston -- Indeterminate artworks and the human brain / Robert C. Pepperell, Alumit Ishai -- Contextual bias and insulation against bias during aesthetic rating : the roles of VMPFC and DLPFC in neural valuation / Ulrich Kirk, David Freedberg -- Neuroimaging studies of making aesthetic products / Oshin A. Vartanian -- Section 3: Cognitive neuroscience of dance -- Beautiful embodiment : the shaping of aesthetic preference personal experience / Emily S. Cross -- Sensorimotor aesthetics : neural correlates of aesthetics perception of dance / Beatriz Calvo-Merino -- Moving towards ecological validity in empirical aesthetics of dance / Julia F. Christensen, Corinne Jola -- Section 4: Cognitive neuroscience of music -- Liking music : genres, contextual factors, and individual differences / Kathleen A. Corrigall, E. Glenn Schellenberg -- Tension-resolution patterns as a key element of aesthetic experience : psychological principles and underlying brain mechanisms / Moritz Lehne, Stefan Koelsch -- From pleasure to liking and back : bottom-up and top-down neural routes to the aesthetic enjoyment of music / Elvira Brattico -- Effects of expertise on the cognitive and neural processes involved in musical appreciation / Marcus T. Pearce -- Section 5: Neuropsychology of art and aesthetics -- The neuropsychology of visual art / Anjan Chatterjee -- The creation of art in the setting of dementia / Indre V. Viskontas, Suzee E. Lee -- Hemispheric specialization, art, and aesthetics / Dahlia W. Zaidel -- Section 6: The evolution of art, aesthetics, and the brain -- Towards a comparative approach to empirical aesthetics / Gesche Westphal-Fitch, W. Tecumseh Fitch -- Art and brain co-evolution / Camilo J. Cela-Conde, Francisco J. Ayala -- Art as a human "instinct-like" behavior emerging from the exaptation of the communication processes / Luigi F. Agnati, Diego Guidolin, Kjell Fuxe -- Section 7: Integrative approaches -- Neurobiological foundations of art and aesthetics / Edmund T. Rolls -- Aesthetic evaluation of art : a formal approach / Alexander J. Huston, Joseph P. Huston -- Tempos of eternity : music, volition, and playing with time / Barbara G. Goodrich. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
Humans have engaged in artistic and aesthetic activities since the appearance of our species. Our ancestors have decorated their bodies, tools, and utensils for over 100,000 years. The expression of meaning using color, line, sound, rhythm, or movement, among other means, constitutes a fundamental aspect of our species' biological and cultural heritage. Art and aesthetics, therefore, contribute to our species identity and distinguish it from its living and extinct relatives. Science is faced with the challenge of explaining the natural foundations of such a unique trait, and the way cultural processes nurture it into magnificent expressions, historically and ethnically unique. How does the human brain bring about these sorts of behaviors? What neural processes underlie the appreciation of painting, music, and dance? How does training modulate these processes? How are they impaired by brain lesions and neurodegenerative diseases? How did such neural underpinnings evolve? Are humans the only species capable of aesthetic appreciation, or are other species endowed with the rudiments of this capacity? This volume brings together the work on such questions by leading experts in genetics, psychology, neuroimaging, neuropsychology, art history, and philosophy. It sets the stage for a cognitive neuroscience of art and aesthetics, understood in the broadest possible terms. With sections on visual art, dance, music, neuropsychology, and evolution, the breadth of this volume's scope reflects the richness and variety of topics and methods currently used today by scientists to understand the way our brain endows us with the faculty to produce and appreciate art and aesthetics. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Cognitive neuroscience. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Creative ability. |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Agnati, Luigi Francesco, |
Relator term |
editor. |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Cela Conde, Camilo José, |
Relator term |
editor. |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Huston, Joseph P., |
Relator term |
editor. |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Mora, Francisco |
Fuller form of name |
(Mora Teruel), |
Relator term |
editor. |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Nadal, Marcos, |
Relator term |
editor. |
856 ## - ELECTRONIC LOCATION AND ACCESS |
Uniform Resource Identifier |
<a href="https://drive.google.com/file/d/1k1kUavJbUco9Rly1rQlXfDdkFcqEpbsf/view?usp=sharing">https://drive.google.com/file/d/1k1kUavJbUco9Rly1rQlXfDdkFcqEpbsf/view?usp=sharing</a> |