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Music in the early twentieth century / Richard Taruskin.

By: Material type: TextTextSeries: Oxford history of western music ; v. 4.Publication details: Oxford ; New York : Oxford University Press, 2010.Description: xx, 859 p. : ill., music ; 26 cmISBN:
  • 0195384849
  • 9780195384840 (pbk.)
Other title:
  • Early twentieth century
Uniform titles:
  • Oxford history of western music. 4, Early twentieth century
Subject(s): DDC classification:
  • 780/.9/04 22
LOC classification:
  • ML197 .T28 2010
Contents:
Reaching (for) limits -- Getting rid of glue -- Aristocratic maximalism -- Extinguishing the "petty 'I'" (transcendentalism, I) -- Containing multitudes (transcendentalism, II) -- Inner occurrences (transcendentalism, III) -- Socially validated maximalism -- Pathos is banned -- Lost--or rejected--illusions -- The cult of the commonplace -- In search of the "real" America -- In search of Utopia -- Music and totalitarian society.
Summary: Traces the evolution of Western classical music and its instruction through the early twentieth century, discussing how it was influenced by history, culture, politics, art, literature, religion, and other forms of music and highlighting key composers, pieces, styles, and performances.
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Holdings
Item type Current library Call number Status Date due Barcode
Books Balanga Library General Circulation 780/.9/04 T196m (Browse shelf(Opens below)) Available 3BPSU00033939

Originally published as: Oxford history of western music. Vol. 4, Early twentieth century. Oxford ; New York : Oxford University Press, 2005.

Includes bibliographical references and index.

Reaching (for) limits -- Getting rid of glue -- Aristocratic maximalism -- Extinguishing the "petty 'I'" (transcendentalism, I) -- Containing multitudes (transcendentalism, II) -- Inner occurrences (transcendentalism, III) -- Socially validated maximalism -- Pathos is banned -- Lost--or rejected--illusions -- The cult of the commonplace -- In search of the "real" America -- In search of Utopia -- Music and totalitarian society.

Traces the evolution of Western classical music and its instruction through the early twentieth century, discussing how it was influenced by history, culture, politics, art, literature, religion, and other forms of music and highlighting key composers, pieces, styles, and performances.

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