| 000 | 02694cam a22003618i 4500 | ||
|---|---|---|---|
| 001 | 22641154 | ||
| 003 | OSt | ||
| 005 | 20241014112211.0 | ||
| 008 | 220608s2023 enk b 001 0 eng | ||
| 010 | _a 2022026810 | ||
| 020 |
_a9781350229419 _q(hardback) |
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| 020 |
_a9781350229402 _q(paperback) |
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| 020 |
_z9781350229433 _q(ebook) |
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| 020 |
_z9781350229426 _q(pdf) |
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| 040 |
_aDLC _beng _erda _cDLC |
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| 042 | _apcc | ||
| 082 | 0 | 0 | _a782.1/413 |
| 100 | 1 |
_aApplin, Rebecca, _eauthor. |
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| 245 | 1 | 4 |
_aThe musical theatre composer as dramatist : _ba handbook for collaboration / _cRebecca Applin Warner. |
| 263 | _a2302 | ||
| 264 | 1 |
_aLondon ; _aNew York : _bBloomsbury Publishing, _c2023. |
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| 300 |
_avi, 213 pages; _c24cm. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 504 | _aIncludes bibliographical references and index. | ||
| 520 |
_a"Dramaturgy is at the heart of any musical theatre score, proving that song and music combined can collectively act as drama. The Musical Theatre Composer as Dramatist: A Handbook for Collaboration offers techniques for approaching a musical with the drama at the centre of the music. Written by a working composer of British musical theatre, this original and highly practical book is intended for composers, students of musical theatre and performing arts and their collaborators. Through detailed case studies, conceptual frameworks and frank analysis, this book encourages the collaboration between the languages of music and drama. It offers a shared language for talking about music in the creation of musical theatre, as well as practical exercises for both composers and their collaborators and ways of analysing existing musical theatre scores for those who are versed in musical terminology, and those who are not. Speaking directly to the contemporary artist, working examples are drawn from a wide range of musicals throughout Part One, before a full case study analysis of Matilda the Musical brings all the ideas together in Part Two. Part Three offers a range of practical exercises for anyone creating new musicals, particularly composers and their collaborators"-- _cProvided by publisher. |
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| 650 | 0 |
_aMusicals _xWriting and publishing. |
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| 776 | 0 | 8 |
_iOnline version: _aApplin, Rebecca. _tMusical theatre composer as dramatist _dLondon ; New York : Bloomsbury Publishing, 2023 _z9781350229433 _w(DLC) 2022026811 |
| 906 |
_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg |
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| 942 |
_2ddc _cBK _n0 |
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| 999 |
_c27526 _d27526 |
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